Hugo Cabret

"Sometimes I come up here at night, even when I'm not fixing the clocks, just to look at the city. I like to imagine that the world is one big machine. You know, machines never have any extra parts. They have the exact number and the type of parts they need. So I figure if the entire world is one big machine, I have to be here for some reason. And that means you have to be here for some reason, too." - Brian Selznick, The Invention of Hugo Cabret 

Poesy: One-of-Mine Edition

Muse

 

Rainy day as Chinese watercolor;

the trees are wild with wind.

A grey room, comfortable

with misty windows, condensation
and the audio of the bus line
which squeaks and squeals
bone-chilled passengers forward
whom could not stay indoors.

The houseplants are caught
with leaves against a chilly window,

variegated greens and yellows

silently shivering in the unusual May gloom.

A Saturday, bone-bleached empty,

hushed respite from the Spring.

An off-day to hide and listen to the hum

of the refrigerator, eat olives and fruit;

disappear.

Only the weather knows I'm here

pregnant with the rain outside my window.

 

Nothing - 

and then a car rips past,
black asphalt and dripping wet,
a train coming in with far-off clacks.
My a.m. song of gooseflesh
and dark brown branches,

trembling leaves.

 

-RPJ

Moments of Pooh

Reading Winnie the Pooh while Lillian falls asleep in my lap for her morning nap, there is no greater feeling. Light symphonic music playing, the intermittent clamor of outside goings-on, her breath getting deeper and deeper and she is eventually gone from the story - gone from me and into that special restful place where she backs up and stores all we've done for the morning.

I am thankful for my life. I have always tried to appreciate what wonderful things I've been given, but sometimes, I am swept away by the immensity of it.

And, I am thankful for Pooh. How did I never read this book when I was little? How is this my first time with the story? It is so quiet, thoughtful, egocentrically perfect for two or three-year-olds. 

Posey: A Haiku-A-Day Challenge

I've been doing a photo a day challenge with a friend on Instagram and to help me kickstart my writing, I've decided to add a haiku a day challenge to it. Each day I will attempt to write a haiku (or a bastardized version of it if it isn't suggestive of a season as haikus are generally classified) relating to the picture for the challenge. I'm excited. Here is my first attempt, and please note that these are just for fun - so don't judge me for their inanity:

If I could teach you

Anything, let it be to

Open every door.

Poesy: William Blake

Auguries of Innocence

To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour A Robin Red breast in a Cage Puts all Heaven in a Rage A Dove house filld with Doves & Pigeons Shudders Hell thr' all its regions A dog starvd at his Masters Gate Predicts the ruin of the State A Horse misusd upon the Road Calls to Heaven for Human blood Each outcry of the hunted Hare A fibre from the Brain does tear A Skylark wounded in the wing A Cherubim does cease to sing The Game Cock clipd & armd for fight Does the Rising Sun affright Every Wolfs & Lions howl Raises from Hell a Human Soul The wild deer, wandring here & there Keeps the Human Soul from Care The Lamb misusd breeds Public Strife And yet forgives the Butchers knife The Bat that flits at close of Eve Has left the Brain that wont Believe The Owl that calls upon the Night Speaks the Unbelievers fright He who shall hurt the little Wren Shall never be belovd by Men He who the Ox to wrath has movd Shall never be by Woman lovd The wanton Boy that kills the Fly Shall feel the Spiders enmity He who torments the Chafers Sprite Weaves a Bower in endless Night The Catterpiller on the Leaf Repeats to thee thy Mothers grief Kill not the Moth nor Butterfly For the Last Judgment draweth nigh He who shall train the Horse to War Shall never pass the Polar Bar The Beggars Dog & Widows Cat Feed them & thou wilt grow fat The Gnat that sings his Summers Song Poison gets from Slanders tongue The poison of the Snake & Newt Is the sweat of Envys Foot The poison of the Honey Bee Is the Artists Jealousy The Princes Robes & Beggars Rags Are Toadstools on the Misers Bags A Truth thats told with bad intent Beats all the Lies you can invent It is right it should be so Man was made for Joy & Woe And when this we rightly know Thro the World we safely go Joy & Woe are woven fine A Clothing for the soul divine Under every grief & pine Runs a joy with silken twine The Babe is more than swadling Bands Throughout all these Human Lands Tools were made & Born were hands Every Farmer Understands Every Tear from Every Eye Becomes a Babe in Eternity This is caught by Females bright And returnd to its own delight The Bleat the Bark Bellow & Roar Are Waves that Beat on Heavens Shore The Babe that weeps the Rod beneath Writes Revenge in realms of Death The Beggars Rags fluttering in Air Does to Rags the Heavens tear The Soldier armd with Sword & Gun Palsied strikes the Summers Sun The poor Mans Farthing is worth more Than all the Gold on Africs Shore One Mite wrung from the Labrers hands Shall buy & sell the Misers Lands Or if protected from on high Does that whole Nation sell & buy He who mocks the Infants Faith Shall be mockd in Age & Death He who shall teach the Child to Doubt The rotting Grave shall neer get out He who respects the Infants faith Triumphs over Hell & Death The Childs Toys & the Old Mans Reasons Are the Fruits of the Two seasons The Questioner who sits so sly Shall never know how to Reply He who replies to words of Doubt Doth put the Light of Knowledge out The Strongest Poison ever known Came from Caesars Laurel Crown Nought can Deform the Human Race Like to the Armours iron brace When Gold & Gems adorn the Plow To peaceful Arts shall Envy Bow A Riddle or the Crickets Cry Is to Doubt a fit Reply The Emmets Inch & Eagles Mile Make Lame Philosophy to smile He who Doubts from what he sees Will neer Believe do what you Please If the Sun & Moon should Doubt Theyd immediately Go out To be in a Passion you Good may Do But no Good if a Passion is in you The Whore & Gambler by the State Licencd build that Nations Fate The Harlots cry from Street to Street Shall weave Old Englands winding Sheet The Winners Shout the Losers Curse Dance before dead Englands Hearse Every Night & every Morn Some to Misery are Born Every Morn and every Night Some are Born to sweet delight Some are Born to sweet delight Some are Born to Endless Night We are led to Believe a Lie When we see not Thro the Eye Which was Born in a Night to perish in a Night When the Soul Slept in Beams of Light God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day

- William Blake
via poets.org

Poesy: Marilyn Krysl

Sutra 

Looking back now, I see 
I was dispassionate too often, 
dismissing the robin as common, 
and now can't remember what 
robin song sounds like. I hoarded
my days, as though to keep them 
safe from depletion, and meantime 
I kept busy being lonely. This 
took up the bulk of my time, 
and I did not speak to strangers 
because they might be boring, 
and there were those I feared 

would ask me for money. I was
clumsy around the confident, 
and the well bred, standing on 
their parapets, enthralled me,
but when one approached, I
fled. I also feared the street's 
down and outs, anxious lest 
they look at me closely, and 
afraid I would see their misery. 

I feared my father who feared 
me and did not touch me, 
which made me more afraid. 
My mother feared him too, 
and as I grew to be like him, 
she became afraid of me also. 
I kept busy avoiding dangers 
of many colors, fleeing from 
those with whom I had much 

in common. Now afternoon, 
one chair in the garden. Late
low light, the lilies still open,
sky beyond them preparing 
to close for the night. I'd 
made money, but had I kissed

a single lily? On the chair's
arm my empty cup. Its curved 
lip struck, bright in late light. 
I watch that last light going, 
leaving behind its brief burning
 which will come to nothing. 

The lilies still open, waiting.

Let me be that last sliver of light.
Let me be that last gleaming sliver of silver, 
there for an instant on the lily's petal, 

light speaking in tongues, tongues of flame.

- Marilyn Krysl 

via poets.org  

Poesy: Federico Garcia Lorca

Arbolé, Arbolé . . .

Tree, tree
dry and green.

The girl with the pretty face 
is out picking olives. 
The wind, playboy of towers, 
grabs her around the waist. 
Four riders passed by
on Andalusian ponies, 
with blue and green jackets 
and big, dark capes. 
"Come to Cordoba, muchacha." 
The girl won't listen to them. 
Three young bullfighters passed, 
slender in the waist, 
with jackets the color of oranges 
and swords of ancient silver. 
"Come to Sevilla, muchacha." 
The girl won't listen to them. 
When the afternoon had turned
dark brown, with scattered light, 
a young man passed by, wearing 
roses and myrtle of the moon. 
"Come to Granada, muchacha." 
And the girl won't listen to him. 
The girl with the pretty face
keeps on picking olives 
with the grey arm of the wind 
wrapped around her waist.
Tree, tree
dry and green.

- Federico García Lorca

translated by William Logan

September

Clouds chase each other in the sky
playing hide-and-seek, at the corner
of the avenue, a little cat hooded
in black sniffs the air and
seems to think - it's the last day
of vacation. This pleasing summer
otium will end, I too will return to my
usual armchair. Summer's evaporating
in mists of memories. Who konws
if I"ll remember its last beams
under the dimmer city sun.

- Eugenio Montale

Poesy: Percy Bysshe Shelley

Ode to the West Wind

I

O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave,until
Thine azure sister of the Spring shall blow

Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and Preserver; hear, O hear!

II

Thou on whose stream, 'mid the steep sky's commotion,
Loose clouds like Earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head

Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: O hear!

III

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiae's bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow grey with fear,
And tremble and despoil themselves: O hear!

IV

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O Uncontrollable! If even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.
Oh! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.

V

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened Earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?

- Percy Bysshe Shelley

via poets.org 

Poesy: One-of-Mine Edition

Our Love

is akin to reading the language of the stars
or hearing God’s real name in a blinding,
piercing shriek. It is a wormhole,
death, and the reincarnation of a harijan.
I spend most days walking past it
as if to acknowledge the stranger
would make him real, and humming
clutters my head of its thoughts as I fail
to see the twinkling sky in its waxing
and waning glory.

Even so,
there are the moments I cannot ignore.
There are sighs filled with the immensity
of you, of fog within the valley pregnant
with rain, swirling between old buildings
dotting out the light. Musk and green seeds
and campfire and the fine, brown tendrils
of your hair are inescapable, are both
forever and never - wrapped up in
an external womb which I carry you
in protective, stealthy steps.

I whisper:
Live long enough to know the pain,
sing loud enough to hear the notes,
burn deep enough to know the want,
and always,
always
read the secret rhyme
within your own hymns. 

- RPJ

Poesy: Dylan Thomas

I think Dylan Thomas is sexy. I mean, look at this picture: 

Poem [Your breath was shed]

Your breath was shed
Invisible to make
About the soiled undead
Night for my sake,

A raining trail
Intangible to them
With biter's tooth and tail
And cobweb drum,

A dark as deep
My love as a round wave
To hide the wolves of sleep
And mask the grave.

- Dylan Thomas 

via poets.org 

Poesy: Ernest Hemingway

Along With Youth

A porcupine skin,
Stiff with bad tanning,
It must have ended somewhere.
Stuffed horned owl
Pompous
Yellow eyed;
Chuck-wills-widow on a biassed twig
Sooted with dust.
Piles of old magazines,
Drawers of boy’s letters
And the line of love
They must have ended somewhere.
Yesterday's Tribune is gone
Along with youth
And the canoe that went to pieces on the beach
The year of the big storm
When the hotel burned down
At Seney, Michigan.

- Ernest Hemingway
via poets.org

Oxford American

Please, go check out the Oxford American. My favorite magazine has an amazing website and I want you to support them. Sign up for a subscription even if it's to just receive the music issue. Their cd compliations are always AMAZING.

Love to you, folks at Oxford American. Keep it up.

Poesy: John Milton

This poem makes me think of a fellow from high school, Jared. He and I were A.P. English classmates and friends, although the friendship was at times a bit tumultuous. I don't know what ol' JP is doing these days, but I know he loved Milton.

When I consider how my light is spent 

When I consider how my light is spent,
   Ere half my days in this dark world and wide,
   And that one talent which is death to hide
Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
   My true account, lest He returning chide;
   "Doth God exact day-labor, light denied?"
I fondly ask. But Patience, to prevent
That murmur, soon replies, "God doth not need
   Either man's work or His own gifts. Who best
   Bear His mild yoke, they serve Him best. His state
Is kingly: thousands at His bidding speed,
   And post o'er land and ocean without rest;
   They also serve who only stand and wait."

- John Milton

via poets.org 

Poesy: Phillip Levine

Our Valley

We don't see the ocean, not ever, but in July and August
when the worst heat seems to rise from the hard clay
of this valley, you could be walking through a fig orchard
when suddenly the wind cools and for a moment
you get a whiff of salt, and in that moment you can almost
believe something is waiting beyond the Pacheco Pass,
something massive, irrational, and so powerful even
the mountains that rise east of here have no word for it.

You probably think I'm nuts saying the mountains
have no word for ocean, but if you live here
you begin to believe they know everything.
They maintain that huge silence we think of as divine,
a silence that grows in autumn when snow falls
slowly between the pines and the wind dies
to less than a whisper and you can barely catch
your breath because you're thrilled and terrified.

You have to remember this isn't your land.
It belongs to no one, like the sea you once lived beside
and thought was yours. Remember the small boats
that bobbed out as the waves rode in, and the men
who carved a living from it only to find themselves
carved down to nothing. Now you say this is home,
so go ahead, worship the mountains as they dissolve in dust,
wait on the wind, catch a scent of salt, call it our life.

- Philip Levine

via poets.org

Poesy: Carl Sandburg

At a Window

Give me hunger,  
O you gods that sit and give  
The world its orders.  
Give me hunger, pain and want,  
Shut me out with shame and failure 
From your doors of gold and fame,  
Give me your shabbiest, weariest hunger!  
  
But leave me a little love,  
A voice to speak to me in the day end,  
A hand to touch me in the dark room 
Breaking the long loneliness.  
In the dusk of day-shapes  
Blurring the sunset,  
One little wandering, western star  
Thrust out from the changing shores of shadow.
Let me go to the window,  
Watch there the day-shapes of dusk  
And wait and know the coming  
Of a little love. 

- Carl Sandberg

via poets.org 

Poesy: Phillip Levine

A Story

Everyone loves a story. Let's begin with a house.
We can fill it with careful rooms and fill the rooms
with things—tables, chairs, cupboards, drawers
closed to hide tiny beds where children once slept
or big drawers that yawn open to reveal
precisely folded garments washed half to death,
unsoiled, stale, and waiting to be worn out.
There must be a kitchen, and the kitchen
must have a stove, perhaps a big iron one
with a fat black pipe that vanishes into the ceiling
to reach the sky and exhale its smells and collusions.
This was the center of whatever family life
was here, this and the sink gone yellow
around the drain where the water, dirty or pure, 
ran off with no explanation, somehow like the point
of this, the story we promised and may yet deliver.
Make no mistake, a family was here. You see
the path worn into the linoleum where the wood,
gray and certainly pine, shows through.
Father stood there in the middle of his life
to call to the heavens he imagined above the roof
must surely be listening. When no one answered
you can see where his heel came down again
and again, even though he'd been taught
never to demand. Not that life was especially cruel;
they had well water they pumped at first,
a stove that gave heat, a mother who stood
at the sink at all hours and gazed longingly
to where the woods once held the voices
of small bears—themselves a family—and the songs
of birds long fled once the deep woods surrendered
one tree at a time after the workmen arrived
with jugs of hot coffee. The worn spot on the sill
is where Mother rested her head when no one saw,
those two stained ridges were handholds
she relied on; they never let her down.
Where is she now? You think you have a right
to know everything? The children tiny enough
to inhabit cupboards, large enough to have rooms
of their own and to abandon them, the father
with his right hand raised against the sky?
If those questions are too personal, then tell us,
where are the woods? They had to have been
because the continent was clothed in trees.
We all read that in school and knew it to be true.
Yet all we see are houses, rows and rows
of houses as far as sight, and where sight vanishes
into nothing, into the new world no one has seen,
there has to be more than dust, wind-borne particles
of burning earth, the earth we lost, and nothing else.

- Phillip Levine

via poets.org 

Poesy: Kate Greenstreet

The Last 4 Things [That hard thread]

That hard thread
between us.

Is it gold? Do I have to be
so outshined by my curtain?

Opened,
especially by breaking.

people who would die
people who would almost

die and
who would be injured


My dad was in the water.
Across an unprecedented space.

It would rain
for days, they said

he'd come home.
[lists the father's wounds]


That hard thread
is a bone. Is made of bone.

When I was 
alone, 
a girl,

the first loss,
between tunnels...

I didn't need so much.
I'd eventually get hungry.

- Kate Greenstreet

via poets.org 

Poesy: Edgar Guest

A Boy and His Dad

A boy and his dad on a fishing-trip—
There is a glorious fellowship!
Father and son and the open sky
And the white clouds lazily drifting by,
And the laughing stream as it runs along
With the clicking reel like a martial song,
And the father teaching the youngster gay
How to land a fish in the sportsman's way.

I fancy I hear them talking there
In an open boat, and the speech is fair.
And the boy is learning the ways of men
From the finest man in his youthful ken.
Kings, to the youngster, cannot compare
With the gentle father who's with him there.
And the greatest mind of the human race
Not for one minute could take his place.

Which is happier, man or boy?
The soul of the father is steeped in joy,
For he's finding out, to his heart's delight,
That his son is fit for the future fight.
He is learning the glorious depths of him,
And the thoughts he thinks and his every whim;
And he shall discover, when night comes on,
How close he has grown to his little son.

A boy and his dad on a fishing-trip—
Builders of life's companionship!
Oh, I envy them, as I see them there
Under the sky in the open air,
For out of the old, old long-ago
Come the summer days that I used to know,
When I learned life's truths from my father's lips
As I shared the joy of his fishing-trips.

- Edgar Guest

via poets.org 

Poesy: Derek Walcott

A Lesson for this Sunday

The growing idleness of summer grass
With its frail kites of furious butterflies
Requests the lemonade of simple praise
In scansion gentler than my hammock swings
And rituals no more upsetting than a
Black maid shaking linen as she sings
The plain notes of some Protestant hosanna—
Since I lie idling from the thought in things—

Or so they should, until I hear the cries
Of two small children hunting yellow wings,
Who break my Sabbath with the thought of sin.
Brother and sister, with a common pin,
Frowning like serious lepidopterists.
The little surgeon pierces the thin eyes.
Crouched on plump haunches, as a mantis prays
She shrieks to eviscerate its abdomen.
The lesson is the same. The maid removes
Both prodigies from their interest in science.
The girl, in lemon frock, begins to scream
As the maimed, teetering thing attempts its flight.
She is herself a thing of summery light,
Frail as a flower in this blue August air,
Not marked for some late grief that cannot speak.

The mind swings inward on itself in fear
Swayed towards nausea from each normal sign.
Heredity of cruelty everywhere,
And everywhere the frocks of summer torn,
The long look back to see where choice is born,
As summer grass sways to the scythe's design.

- Derek Walcott

via poets.org